4,374 Royalty-Free Audio Tracks for "A Major Chords"

The chord of F major played on an acoustic guitar. El acorde de F major toca en una guitarra acoustica.

The chord of D major played on an acoustic guitar. El acorde de D major toca en una guitarra acoustica.

The chord of C major played on an acoustic guitar. El acorde de C major toca en una guitarra acoustica.

The chord of G major played on an acoustic guitar. El acorde de G major toca en una guitarra acoustica.

A minorΕλληνικά: Η συγχορδία ΛΑ ελάσσονα

viio7 in G major, on the guitar.

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto

Chord progression with a borrowed chord second: v or Gm in C major.

Chord progression with a borrowed chord second to last: iv or Fm in C major.

Shave and a Haircut in C. Triplet swing. Created by Hyacinth (talk) 00:13, 8 November 2010 using Sibelius 5.

Shave and a Haircut in G. Triplet swing.

Shave and a Haircut in G with chords. Triplet swing.

Ninth (D), in red, of a C added ninth chord. Created by Hyacinth (talk) 16:46, 4 July 2010 using Sibelius 5.

CM13, first inversion = e13(♭9), 2nd inversion = G13... Eventually seven chords along a ladder of thirds. Created by Hyacinth (talk) 14:13, 31 March 2010 using Sibelius 5.

Major chord on C in 17 equal temperament (0,6,10).

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).

Symphony No. 4 in A major 'Italian', Op. 90 - III. Con moto moderato. IV Symfonia A-dur op. 90 Feliksa Mendelssohna, powszechnie nazywana Włoską, część III Con moto moderato w wykonaniu Skidmore College Orchestra.

Étude Op. 25, No. 1 in a-flat major, composed by Frédéric Chopin, performed by Donald Betts.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

Half-diminished seventh chord on supertonic in C minor.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

A harmonic minor scale.

7sus4 chord on C

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Polonez A-dur op. 40 nr 1, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu. Čeština: Polonéza Fryderyka Chopina Polonaise Op. 40 No. 1 v podání pianistky Romualdy Greissové na klavíru Budynowicz z roku 1850. Polonaise Op. 40 No. 1, performed by Romuald Greiss on an 1850 Budynowicz piano. Polonaises, opus 40, n°1 de Frédéric Chopin, interprétées par Romuald Greiss sur un piano Budynowicz de 1850. Эрзянь: Полонез Оп. 40 No. 1, налксизе Ромуальд Грейсс, 1850 иестэ теезь Budynowicz фортопианасо. Українська: Полонез Op.40 №1 у виконанні Ромуальда Грайса на фортепіано Будиновича 1850 року, Забже, Польща.

Klaviersonate Nr. 31 in As-Dur op. 110, 3. Satz (adagio, ma non troppo) Sonata no. 31 in a flat major, op. 110 - iii. adagio, ma non troppo

I - ♭VII - ♭VI - ♭VII in C. Created by Hyacinth (talk) 00:31, 14 March 2010 using Sibelius 5.

Borrowed chord common in rock music: I ♭VI IV. In C: C A♭ F.

Power chords in progression create parallel fifths, though the prohibit is not relevant since there is not intention to create independent voices. Created by Hyacinth (talk) 03:21, 29 January 2012 (UTC) using Sibelius 5.

Altered dominant played twice then resolved to the tonic. Created using Sibelius and Audacity.

V-I progression, unaltered dominant resolving to the tonic. Created by Hyacinth (talk) 22:29, 9 July 2008 using Sibelius and Audacity.

Werckmeister temperament major chord on C.

Pythagorean major chord on C.

Rule of the octave, major scale.

C major triads played on piano: 1) root position, 2) first inversion, 3) second inversion

Fourth of a suspended fourth chord on C

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

G7alt chord.

Concerto No. 12 in A - I. Allegro

The "bad guy" or "curse" motif familiar from all over the place.

Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Dominant seventh chord on C, played on guitar in open position.

Dominant seventh chord on C, played on guitar, barre chord.

Seventh of a dominant seventh chord in C. Created by Hyacinth (talk) 22:57, 13 May 2010 using Sibelius 5.

E5 power chord in eighth notes. Created by Hyacinth (talk) 12:48, 2 July 2009 in Sibelius 5 set on "electric guitar" triple forte.

Minor major sixth chord on C.